Excerpt
The Alchemist's Apprentice: A Journey into the World of Magic
Every night at midnight, the purple clouds came out to dance with the blushing sky. It was a sight that only a few were lucky enough to witness. Those who did described it as a surreal experience, as if they had stepped into a dream. Some even claimed that they could hear the clouds humming a tune that only they could understand.
By Newss Next3 years ago in Fiction
"Collecting Firewood: Lessons Learned in the African Forest"
"Collecting Firewood: Lessons Learned in the African Forest" One of my usual responsibilities as a young boy living in a small community in West Africa was to go get firewood. It was a work that took a lot of stamina, patience, and forest-specific knowledge. Every morning, when I first awoke, I was ready to start my day.
By John Obioma3 years ago in Fiction
Bougainvillea Sky
Every night at midnight, the purple clouds came out to dance with the blushing sky. As a child, I’d always wake, just before midnight—just as the tendrils of the bougainvillea along the trellises began stretching outward to watch the dance—and listen as the music they created with their winds lulled the rest of the village into exotic dreams and righteous slumber. Come morning, the town awoke refreshed and invigorated while I slalomed along through my daily rituals—the milking and the washing, or the drying and collecting—before I headed off to school.
By Andrew Forrest Baker3 years ago in Fiction
A Story of the Whiskey Hotel
June 13th, 2005, 11:37 PM. ‘Every night at midnight, the purple clouds came out to dance with the blushing sky,’ the last line before Shane finished his solo later than a staged queue was planned to, but Angie began to play on, moving into the next track anyway. In the song Knock it Off, Shamus has a point where the sax switches from rhythm and takes the lead over the guitar. This time, however, the tempo increase was initiated by a three-second drone with all notes turned flat and an octave lower before the snap recovery seemed to return the drums to their recently maintained pop. Their instruments aged fifty years backward, then forward, and I’m unsure if anyone else noticed. The marionette act the track alludes to begins with Angie leading Marcus in an improvised and unrhythmic dance; her moves were meant to appear unpredictable, with steps and dips done to trip him up. During the line, ‘Show me what your control tastes like,’ there was meant to be an eight-count lead-in, but thanks to Shane’s shredding, its jerky resonance put Marcus starting on the four. So he moved drastically, and she followed the best she could, then it didn’t seem like the choice hers to refuse. Within a couple of lines punctuated by Angie's tiny break, ‘Burn you dust to dust at your own game,’ they were son in tune who was leading who was impossible to distinguish, and no matter her instrumental limitation, he moved more and more freely. Was he supposed to work her to death? I kept wondering as the crowd raved louder in their own cesspool of nature, melding together with mud that’ll dry to crusty statues.
By Willem Indigo3 years ago in Fiction







